[ On judgment ] “We have a right to our preferences, our likes and dislikes, our impressions, our opinions, but…
KOJO MARFO AND PANDORA’S BOX. By Nii B. Andrews. The pieces have a jolting verve; they appear to be bursting…
By Nii B. Andrews My dear friend Abdelatif Benjaloun aka Patron loves Tangier; he insists that Tangier is a magical…
By Nii B. Andrews. The 5th edition of the Addis Foto Fest, Africa’s largest photographic festival commenced on December 6…
By Nii B. Andrews. The Museum of Black Civilizations (MCN) – “a dream that the black world has been awaiting…
[ on the return of Africa’s looted art pieces] “In principle, this seems an honest restitution. And then what? Is…
DOMINIQUE ZINKPE : FUSING RELIGION, SEX AND SATIRE. By Nii B. Andrews. It was at last year’s African debut of…
[ON ACCOUNTABILITY] “All of it evinces the same underlying message echoing throughout the country…….accountability is for the little people, immunity…
ELIHU ASHONG: SKIN AS CANVAS. By Nii B. Andrews. There are marginalized groups all over the world and sadly, Africa…
By Damali and Nii B. Andrews. The heat is on in Accra; on an almost daily basis the mercury peaks…