By Nii B. Andrews It was during the landmark Magiciens de la Terre exhibition held in Paris at the Center…
By Damali and Nii B. Andrews These days the emphasis is on bluster; the celebrity; the so called “influencer”; mostly…
By Nii B. Andrews Exactly 50 years ago outside Room 306 of the Lorraine Motel, tragedy struck, a murder occurred;…
By Nii B. Andrews The auction house, Sotheby’s held its second sale of Modern and Contemporary African Art (CAA) on…
“Unfortunately, even those with bona fide qualifications also often fall short of professional conduct in the climate of nepotism and…
BAYA: ANOTHER AFRICAN ANTECEDENT OF PICASSO AND MATISSE By Nii B. Andrews Fatma Haddad (1931- 1998) aka Baya, was born…
AMARTEY GOLDING; THE ALLURE OF MYTH MAKING By Nii B. Andrews Throughout human history, myths have enabled us to understand…
[ON AFRICAN VERNACULAR ARCHITECTURE] “I believe city authorities have the moral obligation to not only write a new category of…
M’BAREK BOUCHICHI – IMPLICIT PORTRAITS OF A PEOPLE. By Nii B. Andrews M’barek Bouchichi takes up the challenge of crafting…
By Nii B. Andrews Contemporary African Art (CAA) continues to dramatically increase in value while setting new price records. Just…