PATRICK TAGOE-TURKSON: BEAUTY FROM WASTE. By Nii B. Andrews. Our once idyllic and pristine shoreline – from Wiawso to Keta,…
By Nii B. Andrews. At the risk of oversimplification, Afrofuturism could be understood as the intersection of technology, science, visual…
SILENCING THE CONSCIENCE: SADIKOU OUKPEDJO By Nii B. Andrews. The centaur is an engaging symbol. Whether the centaur existed anywhere…
By Nii B. Andrews. A gift of 45 works of CAA by Jean Pigozzi to MOMA will serve to reconfigure…
By Nii B. Andrews. The famous Ghanaian artist – Ibrahim Mahama, has in his latest work assembled old lockers and…
COW HORNS AND MORE: TAKUNDA REGIS BILLIAT. By Nii B. Andrews. Cow horns feature prominently in the sculptures produced by…
WILLIAM ADZRAKU- UNDER THE RADAR. By Christophe Fitih. Art, like any talent, could be developed either through formal education or…
By Nii B. Andrews. Late last week, Max Boadi sent me his most recent work. He intimated that he had…
By Nii Tei Laryea. Art reflects, and art speaks. Reflecting the (re)birth of a nation and proclaiming its singular modernity…
By Nii B. Andrews. From time to time while leafing through either old or recent art magazines; art books or…