By Nii Tei Laryea. “He allowed himself to be swayed by his conviction that human beings are not born once…
By Nii B. Andrews. For the last several weeks, COVID-19 has come to dominate our lives and led to an…
By Nii B. Andrews. The Ghanaian artist Otis Kwame Kye Quaicoe has just completed his first US solo exhibition. The…
ASARE ADJEI AND THE ANCESTRAL GAZE By Christoph Fitih. Asare Adjei draws his inspiration from old colonial photographs of Africans…
YOUSSOUF SOGODOGO: HAIR ART FROM MALI. By Damali and Nii B. Andrews. The photographs of Youssouf Sogodogo focus on the…
By Nii B. Andrews. On the last Saturday of the year, before Marrakech assumes its historic role as Africa’s first…
By Nii B. Andrews. The poet Milton designated the horned Greek god, Pan as “the bounteous Pan, the god of…
DEREK FORDJOUR IS RISING FAST. By Nii B. Andrews. The work of Derek Fordjour is held in collections throughout Europe and…
SAMUEL FOSSO: MULTIPLE GUISES FROM BANGUI. By Nii B. Andrews. For the last forty years Samuel Fosso has taken numerous…
By Nii B. Andrews. Tattoos have largely gone mainstream; they have become a vibrant modern artform. But I am not…