“The problem is, what are Africans doing? Why do wealthy Africans pay little attention to supporting art and cultural institutions…
LINA IRIS VIKTOR; GOLD AND DARK MATTER. By Nii B. Andrews. Lina Iris Viktor disavows a center and insists on…
ERNEST COLE: THE GOOD, BAD AND THE UGLY. By Nii B. Andrews. During the apartheid era, there were South African…
By Nii B. Andrews. Seth Dei, the Ghanaian business man and avid supporter of the arts has broken new ground.…
“In the developed countries when you’re caught (being corrupt) you’re finished; there are consequences. In Ghana or Africa when you’re…
WILLIAM ADJÉTÉ WILSON AND THE DEMONS OF HISTORY. By Nii B. Andrews. William Adjété Wilson studied philosophy and anthropology at…
By Damali and Nii B. Andrews. “Ethiopia shall soon stretch out her hands unto God” – Psalm 68:31. Two things…
By Nii B. Andrews. The contemporary African Art (CAA) corpus in its fullest extent does complicate the broad generalizations that…
By Nii B. Andrews Africa’s oldest art fair, the FNB Joburg Art Fair ended its latest edition on September 9…
EXCERPTS FROM THE LATEST OKWUI ENWEZOR INTERVIEW. SPIEGEL: What do you notice? Enwezor: The political climate in this country is…