By Nii B. Andrews. Velvet is best reserved for nocturnal activities. In a post truth world of encircling and encroaching…
[On plagiarism in Ghana’s contemporary art scene] “Any other person who comes after Amoako, using a collection of old sewing…
DEREK FORDJOUR IS RISING FAST. By Nii B. Andrews. The work of Derek Fordjour is held in collections throughout Europe and…
[On fashion and city life in Dakar] Sometimes the fragility of lived experience is in poignant contrast to the commemorative…
By Nii B. Andrews. Amoako Boafo has taken the seminal art fair in Miami by storm. His works priced between…
By Nii B. Andrews. A return to the tropics a few days ago made me reach again for a polo…
SAMUEL FOSSO: MULTIPLE GUISES FROM BANGUI. By Nii B. Andrews. For the last forty years Samuel Fosso has taken numerous…
By Nii B. Andrews. Tattoos have largely gone mainstream; they have become a vibrant modern artform. But I am not…
MARIAM ABOUZID SOUALI By Nii B. Andrews. Children abound in Mariam Souali’s paintings because she confesses that her childhood spent…
By Nii B. Andrews. Last week it was announced at the Victoria and Albert Museum in London that Joana Choumali…