By Nii B. Andrews. The just ended 1-54 art fair’s 2nd African edition was aresounding success. There were many tremendous…
SIMOHAMMED FETTAKA: IDENTITY AND RIGHT OF CHOICE. By Nii B. Andrews. Simohammed Fettaka in his current practice focuses on cartography…
[On Public servants and illegal mining]. “Yes, the only people who are not shocked by what we have allowed to…
By Nii B. Andrews. All roads lead to Marrakech this week especially if you are interested in CAA. The 1-54…
KARIM ADDUCHI; MAGIC WITH NORTH AFRICAN TEXTILES. By Damali and Nii B. Andrews. Karim Adduchi is emphatic that his Moroccan…
SORY SANLÉ; PHOTOS FROM BOBO. By Nii B. Andrews. Sory Sanlé is credited with opening one of the earliest photography…
[ON THE SOUTH AFRICAN ART SCENE] “The South African art scene is flourishing and growing. We celebrated the first anniversary…
By Nii B. Andrews. A new exhibition opened on Jan 26th at the Mary and Leigh Block Museum of Art…
By Damali and Nii B. Andrews. Today, the Haik that has been worn for centuries is often the subject of…
By Damali and Nii B. Andrews Mehdi de Graincourt, born in 1974 in Ouagadougou, has been living in Marrakesh since…