By Nii B. Andrews. William Blake (1757 – 1827) was largely ignored during his lifetime. He was thought to be…
TIFFANIE DELUNE: DISSECTING FAMILY HISTORY. The artist writes “Delving into the idea of a stolen innocence, I sought meanings by…
By Nii B. Andrews. Mohamed Melehi has been a prime mover of the post- independence cultural scene in Morocco; his…
By Nii Tei Laryea. It is the rare individual who can climb to great heights in both the arts and…
GHANA’S YEAR OF RETURN 2019: TRAVELER, TOURIST OR PILGRIM? “The Year of Return 2019 remains deeply embedded within a capitalist…
PATRICK TAGOE-TURKSON: BEAUTY FROM WASTE. By Nii B. Andrews. Our once idyllic and pristine shoreline – from Wiawso to Keta,…
By Nii B. Andrews. At the risk of oversimplification, Afrofuturism could be understood as the intersection of technology, science, visual…
SILENCING THE CONSCIENCE: SADIKOU OUKPEDJO By Nii B. Andrews. The centaur is an engaging symbol. Whether the centaur existed anywhere…
By Nii B. Andrews. A gift of 45 works of CAA by Jean Pigozzi to MOMA will serve to reconfigure…
By Nii B. Andrews. The famous Ghanaian artist – Ibrahim Mahama, has in his latest work assembled old lockers and…