By Nii B. Andrews. On the last Saturday of the year, before Marrakech assumes its historic role as Africa’s first…
By Nii B. Andrews. The poet Milton designated the horned Greek god, Pan as “the bounteous Pan, the god of…
By Nii B. Andrews. Velvet is best reserved for nocturnal activities. In a post truth world of encircling and encroaching…
[On plagiarism in Ghana’s contemporary art scene] “Any other person who comes after Amoako, using a collection of old sewing…
DEREK FORDJOUR IS RISING FAST. By Nii B. Andrews. The work of Derek Fordjour is held in collections throughout Europe and…
[On fashion and city life in Dakar] Sometimes the fragility of lived experience is in poignant contrast to the commemorative…
By Nii B. Andrews. Amoako Boafo has taken the seminal art fair in Miami by storm. His works priced between…
By Nii B. Andrews. A return to the tropics a few days ago made me reach again for a polo…
SAMUEL FOSSO: MULTIPLE GUISES FROM BANGUI. By Nii B. Andrews. For the last forty years Samuel Fosso has taken numerous…