By Nii B. Andrews. There is a 10 km long computer cemetery in Accra at a suburb called Agbogbloshie. It…
BODO FILS BBM; ART FOR OUR TIME. By Nii B. Andrews. The existential angst generated by the current world situation…
By Nii B. Andrews. The transformative power of body ornament has been acknowledged in almost all societies throughout history. In…
By Nii B. Andrews. Our lockdown in Accra ended last week. We were emphatically assured that this was on account…
By Nii Tei Laryea. “He allowed himself to be swayed by his conviction that human beings are not born once…
By Nii B. Andrews. For the last several weeks, COVID-19 has come to dominate our lives and led to an…
By Nii B. Andrews. The Ghanaian artist Otis Kwame Kye Quaicoe has just completed his first US solo exhibition. The…
ASARE ADJEI AND THE ANCESTRAL GAZE By Christoph Fitih. Asare Adjei draws his inspiration from old colonial photographs of Africans…
YOUSSOUF SOGODOGO: HAIR ART FROM MALI. By Damali and Nii B. Andrews. The photographs of Youssouf Sogodogo focus on the…
By Nii B. Andrews. On the last Saturday of the year, before Marrakech assumes its historic role as Africa’s first…