By Nii B. Andrews. In the world of contemporary African art (CAA), Ghana and specifically Accra is known as the…
EXCERPTS OF INTERVIEW WITH SENEGALESE CURATOR N’GONÉ FALL. Naidoo: You worked exclusively with socially engaged artists from the Global South.…
By Nii B. Andrews. My recent readings on Artificial Intelligence (AI) coupled with the photographs by Derrick. O. Boateng have…
By Nii B. Andrews. The magnificent Mohammed VI Museum of Modern and Contemporary Art (MMVI), was on Tuesday July 6,…
VACCINE NATIONALISM IS KILLING US “We have the power to end this pandemic. We have the technology, materials and productive…
By Nii B. Andrews. What do you do when your social system functions on complicity; what can you do? What…
By Nii B. Andrews. An important exhibition comprising paintings, in addition to installation sculptures on the Rwandan genocide – all…
Damali and Nii B. Andrews. We met the Blues this week and refused to shake his right hand nor fist…
By Nii B. Andrews. Asafo companies were an indigenous militia that could be mobilized both for war and in peace…
[THE QUEEN IDIA IVORY MASK.] It made sense that Nigerians wanted the mask to act as a mascot for a festival…