By Nii B. Andrews The auction house, Sotheby’s held its second sale of Modern and Contemporary African Art (CAA) on…
“Unfortunately, even those with bona fide qualifications also often fall short of professional conduct in the climate of nepotism and…
BAYA: ANOTHER AFRICAN ANTECEDENT OF PICASSO AND MATISSE By Nii B. Andrews Fatma Haddad (1931- 1998) aka Baya, was born…
AMARTEY GOLDING; THE ALLURE OF MYTH MAKING By Nii B. Andrews Throughout human history, myths have enabled us to understand…
[ON AFRICAN VERNACULAR ARCHITECTURE] “I believe city authorities have the moral obligation to not only write a new category of…
M’BAREK BOUCHICHI – IMPLICIT PORTRAITS OF A PEOPLE. By Nii B. Andrews M’barek Bouchichi takes up the challenge of crafting…
By Nii B. Andrews Contemporary African Art (CAA) continues to dramatically increase in value while setting new price records. Just…
By Nii B. Andrews The iconic gentleman, physically contorted in a wheelchair, with a synthesizer voice but sharp as a…
“I believe it’s more important for me to teach about culture than it is to teach about art specifically. But…
DIMITRI FAGBOHOUN – TRACKING MEMORY. By Nii B. Andrews Dimitri Fagbohoun takes on the arduous task of tackling memory in…