By Nii B. Andrews Much of the excitement for patrons and collectors of contemporary African art (CAA) stems from the…
By Nii B. Andrews There is a certain warmth of feeling that is engendered when one encounters colonial furniture from…
ANANE ASARE By Nii B. Andrews Anane Asare burst onto the Ghanaian art scene in 1995. He had then just…
ON DAVID ADJAYE A) “He is fascinated by detail. He is talented, but he is also a brilliant and…
By Nii B. Andrews Bob Marley’s lyrics (laced with biblical references) in his 1977 roots reggae classic, Exodus, point to…
“At the time I made the Broken Pot series, I was thinking about the idea of breaking not as an…
By Nii B. Andrews The work of Bodys Isek Kingelez remains under appreciated and somewhat unknown. However during his lifetime,…
RAISING THE BAR By Nii B. Andrews Classic formal wear for men in the West is divided into ensembles for…
ON NUCLEAR WAR “Nuclear weapons are owned, controlled by, or stationed in 15 countries: Canada, the United Kingdom, France, Israel,…
DENZEL ODURO By Nii B. Andrews Within the genre of contemporary African art (CAA), digital art remains one of the…